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Paranormal Activity was buoyed by a unique form of guerrilla marketing that asked anyone who watched its trailer to demand to be able to see it in their local cinema. The buzz got the attention of Paramount, and what was in 2007 a low-budget indie picture got a 2009 wide release and made nearly $200 million. The horror landscape was morphed by its ability to make big bucks using little money and a creative found-footage setup. Famously, producer Charles Brackett wanted Alfred Hitchcock to direct The Uninvited, but the Master Of Suspense was unavailable. As a result, Lewis Allen helmed this 1944 tale about a brother and sister moving into a mansion in Cornwall, England—and he made a quiet, tense thriller replete with gorgeous shots of the Cornish coast. The movie was a launchpad for young star Gail Russell, who was signposted for celebrity but tragically passed away at the young age of 36.
A Haunted House ( Stream and Watch Online
Elisabeth Moss stars in this 2007 haunted house flick from Mary Lambert, the director of Pet Sematary. In this creepy, found-footage-style flick, five friends hit the road in an RV for an adventure in search of the scariest haunted houses. It's hard to have your car break down on the side of the road and not think about The Changeling. John Russell (George C. Scott) watches helplessly as his wife and daughter are cut down by a tow truck in the snow. Russell moves on and buys a house once owned by the family of Senator Carmichael (Melvyn Douglas), but he soon realizes he's not as alone there as he previously felt.
The Ghost and Mrs. Muir (
To prove to her wrong, Malcolm has security cameras installed by Dan the Security Man and his brother Bobby. Malcolm tries to have sex with the camera on, but Kisha tells him to turn it off. Before they really start, Malcolm turns the camera back on and records everything. Their safety and their surroundings come into question when one of the children questions if the evil is real.A family that has been haunted by an evil spirit for years. Their safety and their surroundings come into question when one of the children questions if the evil is real.
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We Are Still Here is loaded with homages to other horror films, and one of the most obvious is the appearance of the home's original residents, the Dagmars. They look like the vengeful ghosts in John Carpenter's The Fog (1980), and the stair scene is a clear nod to Nancy (Heather Langenkamp) trudging up the staircase in A Nightmare on Elm Street (1984). Lorraine Warren (Vera Farmiga) and her husband, Ed (Patrick Wilson), are paranormal investigators hellbent on helping the Perron family as they're haunted in their own farmhouse. The Warrens were real people who dedicated their lives to exploring the paranormal (or as some see it, duping the vulnerable), and they also investigated the real-life mystery of the Amityville house purchased by George and Kathy Lutz. The Others offers scary movie enthusiasts one of the genre's most memorable twists, and it's unlikely the filmmakers really wanted audiences to laugh at the very last shot of the film. It's hard not to chuckle, though, and the comedic moment certainly lends itself to the storytelling.
Every frame truly is a painting in this master stroke that’s waiting, begging to be recognized. In it, a family moving into their new house hits, uh, a few snags while unpacking their things. In this classic '60s-era horror film, a group confronts supernatural forces in a 90-year-old New England haunted house.
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It could well be worth prepping something more lighthearted to put on afterwards. As Kisha arrives, she accidentally kills Malcolm's dog named Shiloh by running him over with her car. On the first night, Malcolm is constantly awoken with Kisha farting loudly that eventually drives him out of the room. The next morning, when Kisha notices her keys on the floor, she tells Malcolm they might have a ghost.
Don't Be Afraid of the Dark (
Eerie, beautiful, and full of thoughtful meditation on what we leave behind when we go, Lake Mungo is both a classic ghost story and a dazzling effort by director Joel Anderson to tell that ghost story in ways we’d never seen before. Jordan Peele considers Lake Mungo one of the scariest films he has ever seen, and used it as an inspiration in making Us (2019). If you’ve never seen House, Nobuhiko Obayashi’s 1977 haunted house film, do yourself a favor and just go watch it.
To horror aficionados, William Castle was and remains the god of gimmicks, often screening his movies with some kind of real-life novelty to add to the experience. In the case of 13 Ghosts, in which characters can only see the spirits with special goggles, he introduced “Illusion-O”. Basically, the audience wore 3D glasses where one lens showed the ghosts on-screen and the other didn’t. Today, this movie’s still gloriously goofy even without that in-theater touch. Malcolm and Kisha move into their dream home, but soon learn a demon also resides there. When Kisha becomes possessed, Malcolm - determined to keep his sex life on track - turns to a priest, a psychic, and a team of ghost-busters for help in this spoof of all the "found-footage/documentary style" films released in recent years.
A Nightmare on Elm Street 2: Freddy's Revenge
Shirley Jackson’s The Haunting of Hill House is one of the all-time great haunted house stories, and it has given us more than one great adaptation along the way. If you’re looking for the best feature film version, though, look no further than Robert Wise’s psychologically rich, unshakably tense vision from the 1960s. The horror is subtle, but the way Wise’s camera paints with light and shadows will leave you searching every corner for a spirit. Russ Tamblyn, who plays Luke Sannerson—the heir set to inherit Hill House—in the film also appeared in one episode of Netflix's 2018 miniseries, The Haunting of Hill House.
Rich with textural, chilling visuals and a reverence for the visual language of haunted houses, Alejandro Amenábar’s The Others is a film that will lure you into a sense of uncomfortable, unpredictable dread even if you already know its central twist. In 2002, the movie made history at the Goya Awards—Spain’s version of the Oscars—where it won a total of eight awards, including Best Film. It’s the first film to earn Spain’s highest film honor in which not one word of Spanish is spoken. Originally released as a supposedly real BBC television special, Ghostwatch is best remembered now for the sheer terror it inspired in viewers on Halloween night in 1992, but it’s so much more than that. Yes, Ghostwatch is a fascinating cultural artifact within the mockumentary subgenre. Yet it’s also a thoroughly engrossing and genuinely frightening haunted house story, the kind of thing that will have you watching it over and over again, looking for all the hidden specters.
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Kim Jee-woon’s A Tale of Two Sisters is an unforgettable exercise in psychological terror for a number of reasons, but among the most striking is the way the filmmaker convinces you more than once that he’s switching genres. For a huge chunk of the runtime, the film might just be a gripping psychological drama with a few haunted house flourishes for the sake of symbolism. But by the time it’s over, and you realize it was a haunted house film all along, you realized that the ghosts of this film are all the more potent, and all the more horrifying. To this day, A Tale of Two Sisters remains the highest-grossing horror film in its native South Korea. Scott is great in the central role, but it’s Peter Medak’s slow-burn horror direction, complete with antique wheelchair and menacing children’s toys, that cements this one as a haunted house classic. The flicks on our list of the best haunted house movies are for adult eyes only.
The chapter starts where the previous installment left off, with Jazz, Lied, and Purson receiving the invitation to the Moebius Art Museum. They read over the pamphlet, which teases the museum’s main attraction, the terrifying painting of Galna-sama. The pamphlets scared as well as excited them as they made their way to the venue.
The film marks the first directing credit for Robert Wise (later of 1951's The Day the Earth Stood Still and 1965's The Sound of Music glory), since he was uncredited for directing additional sequences in The Magnificent Ambersons two years prior. While virtually every character — and performer — from 1942's Cat People returns, The Curse of the Cat People is, to this day, argued by most film historians as being a sequel in name only. Irena isn't Casper, but she certainly is a friendly ghost, and she still haunts her husband Oliver Reed (Kent Smith) and his new wife, Alice (Jane Randolph).
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